michaelrovner@gmail.com
Michael makes regulated financial products and modernization initiatives legible to the market.
intuit enterprise Suite
Product Marketing | Narrative Strategy | Market Education
This New York Times branded content project launched awareness for Intuit's new Enterprise Suite product.
The Challenge: Growing businesses were managing fragmented financial operations across multiple tools, limiting visibility and slowing decision-making.
The Approach: Structured a problem-solution narrative linking six financial pain points (visibility, profitability, engagement, compliance, cash flow, scalability) to Enterprise Suite capabilities. SMEs validated technical and regulatory context.
The Outcome: Connected real operational friction to concrete solutions (ASC 606 revenue workflows, SSO). The content educated prospects, increased product understanding, and strengthened credibility for launch in a competitive category.
Read This on NYTimes.com ↗Project Management: Chris Retcho | Writer: Jennifer Goforth Gregory | Art Direction: Katie Belloff | Design: Ellie Friedman


personal essay
the new york times
I first became aware of the other Michael Rovner nearly five years ago.
I was living in the West Village of Manhattan, at 67 Jane Street. He was at 67 Morton. Occasionally, his mail arrived at my apartment, and I wondered if I was legally allowed to open it. The New York City public school system was trying to reach him, so I gleaned that he, too, was a dad. I walked the letters over to his building and left them in his lobby.
Not long after that, I was participating on a panel for AdWeek magazine when the moderator introduced me by reading my bio — only I hadn’t done any of the impressive things she described. Initially, I was confused, and for a moment I considered just going with it. When she got to the part where I’d won a regional Emmy Award, I said, “Excuse me, but you’ve got the wrong Michael Rovner.”
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Writer: Michael Rovner | Commissioning Editor: Stella Bugbee | Editor: Jim Windolf | Illustrator: Dadu Shin
Read This on NYTimes.com ↗
indeed
Category POV | Thought Leadership | Narrative Strategy
This New York Times branded content project repositioned Indeed's AI hiring narrative from job elimination concerns to responsible innovation.
The Challenge: AI hiring narratives focused on bias and job displacement, creating public skepticism and regulatory scrutiny.
The Approach: Built a counter-narrative anchored in skills-based matching, DEIB leadership, transparency, and responsible AI regulation. Credibility came from data and third-party validation vs. marketing claims.
The Outcome: Reframed AI as a tool that helps people get jobs rather than eliminates them. Data reinforced performance (skills-based hiring 5x more predictive), supporting both editorial integrity and category positioning.
Read This on NYTimes.com ↗Project Management: Sarah Mann | Art Direction: Kris Taifalos | Design: Tramain Bentinck | Creative Producer: Ada Chen | Illustrator: Andy Goodman

indeed
Category POV | Thought Leadership | Narrative Strategy
The second New York Times branded content project for Indeed transformed employee wellbeing from HR initiative to business imperative.
The Challenge: Workplace wellbeing was considered an HR perk, not a driver of productivity, retention, or business performance.
The Approach: Used proprietary data from Indeed’s Work Wellbeing Report to connect wellbeing indicators to measurable economic and organizational outcomes. Narrative moved from problem → validation → application.
The Outcome: Elevated wellbeing to a competitive talent metric (66% consider wellbeing in job decisions). Positioned Indeed’s platform as both talent intelligence and employer decision support.
Read This on NYTimes.com ↗Project Management: Sarah Mann | Art Direction: Kris Taifalos | Design: Tramain Bentinck | Creative Producer: Ada Chen | Illustrator: KAAN Illustration
chase
Market Education | FS Narrative | Category POV
JP Morgan Chase’s flagship small business content series reimagined how financial institutions can engage entrepreneurs through editorial storytelling.
The Challenge: SMBs perceived financial services content as transactional and uninspired, reducing engagement and brand affinity.
The Approach: Editorial and multimedia storytelling focused on real SMB motivations, macro trends, and community profiles. Balanced authenticity, service value, and brand goals across platforms.
The Outcome: Produced a multi-format content series that established a more credible model for FS branded storytelling, driving higher trust and sustained engagement with entrepreneurs.
Commissioning Editor: Jesse Oxfeld | Writer: Brian O’Connor

adobe
Market Education | Enterprise Narrative | Thought Leadership
Adobe’s beacon technology storytelling shifted retail IoT from niche innovation to must-have customer experience driver.
The Challenge: Retailers viewed beacon technology as experimental and peripheral to customer experience initiatives.
The Approach: Combined explanatory storytelling with real retail use cases to demonstrate how beacons improved loyalty, in-store engagement, and ROI. Framed technology within Adobe’s broader CX leadership narrative.
The Outcome: Shifted perception from innovation novelty to essential infrastructure for modern omnichannel retail. Supported sales enablement and industry event positioning.
intuit enterprise Suite
Executive Messaging | Narrative Strategy | Market Education
The Challenge: CFOs and finance leaders ignored traditional text-heavy B2B content; strategic messaging struggled to reach or resonate with this audience.
The Approach: Leveraged The Daily as a trusted editorial channel to deliver concise, story-driven audio aligning Intuit’s value props to finance team priorities (visibility, compliance, faster decisions).
The Outcome: Delivered 5x engagement among C-level finance audiences and increased product awareness. Audio became a repeatable channel for high-value executive reach.
Project Management: Chris Retcho | Audio Producer: Sam Mouser

Personal Essay
The New York Times
“This is not an easy place to get hired,” said a fellow analyst at the company, an elite, private-sector global intelligence organization.
The vetting process was rigorous: an extensive background check, drug testing, fingerprinting, half a dozen interviews and months of waiting.
The company recruited highly decorated F.B.I. agents, state and federal prosecutors, and the most senior members of law enforcement.
I had worked as a gossip columnist and as an editor for a couple of celebrity weekly magazines. My expense account was $20,000 per week. I hustled, got drunk and got dirt. Somebody thought this qualified me to be a private investigator. That somebody was wrong.
“When we look into a new hire at a senior level, we treat them the same way we do a subject under investigation,” an executive said.
By the time I heard this, I had been at the company for two months and I was halfway through my 30-day P.I.P. (Personal Improvement Performance review). I didn’t need to be Inspector Poirot to detect that the jig was up.
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Writer: Michael Rovner | Commissioning Editor: Stella Bugbee | Editor: Anya Strzemien | Illustrator: Jackson Gibbs
Read This on NYTimes.com ↗